Timofey belozerov biography for children. Belozerov Timofey Maksimovich

Timofey Maksimovich Belozerov

Belozerov Timofey Maksimovich - children's poet.

Born into a large peasant family, at the age of 5 he lost his mother. During the years of collectivization, the family was subjected to repression. The father was arrested and subsequently rehabilitated. After his release, the father and his youngest son Timofey moved first to Ust-Kamenogorsk and Leninogorsk, then to the Omsk region. In the village of Staro-Karasuk, Omsk region. Belozerov graduated from a 7-year school. I really wanted to study, but there was no way to continue my education. To earn his livelihood, he was a carpenter, a railway cleaning worker, a logger for hire.

From 1948 to 1952 he studied at the Omsk River School, then worked as a foreman at shipyards in Barnaul, Omsk. The first publication of the poems was in the Altai magazine (1954).

In 1957 he published the first collection of works at the Omsk Book Publishing House. poems for children "On our river". The theme of Siberian nature, the labor associated with its development, became the main one in Belozerov's work, giving him the opportunity to be equally intelligible for both children and adults.

From 1957 to 1963 he studied at the correspondence department of the Literary Institute. Gorky, in 1962 became a member of the USSR JV. After graduating from the Literary Institute, he is engaged in literary creativity, combining it with wide social activities: from 1965 to 1967 he was a deputy of the Omsk City Council, from 1967 to 1970 - authorized by the Literary Fund of the USSR in the Omsk Region, for many years he was a member of the Bureau of the Omsk Writers' Organization.

Dec. 1980 participated in the 5th Congress of Writers of the RSFSR. I considered communication with children and creative youth to be the most important occupations for myself. As an editor for children's and literary programs at the Omsk television studio, as well as a literary consultant for the regional newspaper Omskaya Pravda, he conducted seminars with aspiring poets - children and adults, whom the latter remember with deep gratitude. Performances were constant in schools, pioneer camps, orphanages, and pioneer palaces. Belozerov shared his understanding of childhood, child psychology with future teachers - students of pedagogical colleges and pedagogical institutes.

Belozerov's career can be divided into two periods: the 2nd half of the 1950s - 1960s and 1970s and 80s. The 1960s were a period of intense creative searches for the poet: from apprenticeship and imitation (K. Chukovsky, S. Mikhalkov, A. Barto - in children's poetry) - to finding his own style in dialogue with the soil direction of Russian poetry close to him, where significant for B. names were I. Surikov, I. Nikitin, I. Bunin, S. Yesenin, and among his contemporaries - those whom critics attributed to the camp of the "quiet" (V. Sokolov, N. Rubtsov, etc.) , which appeared in the first collections of the poet ("Spring", 1958; "To my friends", 1963), was very quickly realized by Belozerov as alien to his moral and aesthetic position. For clever teaching, so necessary for childhood, other artists were found. ways of expression - used experience, folklore.

In the collections of the 1960s ("Ogorodny Grow up", 1962; "Taiga traffic light", 1968; "Nuts", 1968, etc.), in addition to genre and landscape sketches, genres focused on folklore tradition were included: tongue twisters, counting rhymes, riddles , endlessness, fables, etc., which later the poet turned to more than once. The poet realized the possibilities of developing children's observation and imagination in playing with words and concepts, in sound repetitions, associations, in unexpected comparisons and metaphors. However, the playful beginning did not become the leading one in his lyrics, insisted, first of all, on the reliable truth of the ordinary. The metaphor, comparison in Belozerov's work, even the most unusual one, “is not a rapprochement of distant places” (O. Sedakova), but a comparison of two life observations, striking the reality of the similarities: “Into a lathe made of logs dug into the ground, / Shepherd leads a stallion. / And, like a sparrow, a hoof / Trembles in the hand of a blacksmith "(" Blacksmith "); "The day rustled with dry hot hay / There was a rake between the fingers, / Between the pitchfork trident" ("Evening").

In the 1970s and 1980s, a laconic landscape sketch became the leading genre in Belozerov's work. Criticism notes Belozerov's gravitation "towards a watercolor sketch, miniature, sketch" (S. Povartsov), incorporating themes of Siberian nature, small homeland, childhood, harmonious life in society, provided with a patriarchal everyday life, peasant labor. The central publishing houses "Children's Literature", "Malysh", as well as various regional publishing houses of the country (Novosibirsk, Omsk, Sverdlovsk, Barnaul, Alma-Ata, Perm, etc.) publish the best poetry collection of the poet ("Pantry of the Wind", 1970; "Winter-Winter", 1974; "Magic Road", 1977; "Skylark", 1978; "Zhuravkin Holiday", 1980; "Swan", 1986, etc.), which were highly appreciated by critics and readers. In total, the poet published 54 books during his lifetime, collections of his poems, stories, fairy tales were regularly published in the magazines Ogonyok, Ural, Neva, Siberian Lights, Prostor, Siberian Land, Far East, Siberian lights ”,“ Pioneer ”,“ Bonfire ”,“ Murzilka ”,“ Funny Pictures ”. The book "Zhuravkin Holiday" was exhibited in 1981 at the International Book Fair in Moscow and was awarded a 2nd degree diploma. Belozerov's poems were included in children's reading books, serial publications. A number of Belozerov's poems were set to music by the Omsk composer G. Pantyukov.

Many famous children's poets and writers spoke highly of the work of Belozerov: E. Blaginina, Y. Korinets, S. Baruzdin, A. Barto, I. Tokmakova, Y. Akim, V. Berestov, etc. poet, which manifested itself in an organic combination of childish vision of the world, provided with living, childhood memory, with vigilance and observation, deep knowledge of the real world, which determines the originality of Belozerov's work, who occupied a niche between "adult" and children's poetry.

L. V. Demenkova

Used materials of the book: Russian literature of the XX century. Prose writers, poets, playwrights. Biobibliographic Dictionary. Volume 1.p. 190-192.

Read on:

Russian writers and poets (biographical reference).

Compositions:

Pantry of the Wind: Poems and Tales. M., 1970;

Miracles: Riddles, tongue twisters, verses, poetry. M., 1971;

Winter is winter. M., 1974;

Magic road: poems and stories. 1977;

Zhuravkin's holiday: poetry. M., 1980;

Snowdrops: Poems and Tales. Omsk., 1982;

April: poems. M., 1983;

Swan: Poems and Tales. Omsk., 1986;

Starlight: Poems. Omsk, 1997.

Literature:

Barto A. About literature for children // Children's literature M, 1970 S. 3-27,

Korinets Yu. About poetic skill in details and general // Children's literature M, 1972 P.95-118,

Sedakova O. [Rec. on Sat. "Winter-winter"] // Children's literature 1975 №2,

Sergeev M. To share the wealth of our souls // Children's literature 1976 №2,

Pavlova N. When a line is dictated by a feeling // Children's Literature 1984 №9,

Povartsov S. Tree, bird, flower // Youth 1984 №8,

Palchikov V. Kind world of childhood // Our contemporary 1981 №9,

Kireeva O. And Lyrics of nature in children's poetry of Siberia in the 2nd half of the 80s // Soviet literature of the 80s and its interpretation in criticism Omsk, 1990 pp. 14-16,

Demenkova L.V. Features of the artistic space of the lyrics of Timofey Belozerov against the background of poetic tradition // Questions of folklore and literature Omsk, 2002 pp. 114-124


Timofey Maksimovich Belozerov - poet and storyteller, member of the Writers' Union, was born on December 23, 1929 in the remote taiga village of Kamyshi into a large peasant family. Parents raised their children in severity, tried to instill in them love for their native land, taught them to work. They did not forget about books either - they read Andersen, Pushkin and other classics. A wide Russian stove heaped with raw sheepskin coats and felt boots, and in my sister's hands is a book. I listen - and as if I'm walking through the woods, I enter the bear's hut, sit on the Mishutka chair and eat a soup- Belozerov recalled later. The serene life in native Kamysh lasted only eleven years. Timofey lost his mother early; his father died during the war. The poet himself wrote: As a child, I was unlucky: twice I almost drowned; going down from the mountains, he broke his legs, was often ill. But all these small misfortunes are nothing compared to one misfortune that fell at once - the misfortune of war. Left alone, I was adopted by a wonderful woman - Maria Nikitichnaya Terentyeva. In 1941, need forced him to move to Omsk, where he got a job. Shoemaker, was an apprentice of a carpenter and artist, cleared of snow from railway tracks. After the war, in 1952, he graduated from the Omsk River School. He also had one more difficult profession - he worked as a foreman in foundries. It was during these factory years, yearning for the rivers, the Siberian taiga, that he began to write poems, which were first published in local newspapers and magazines, then began to be published in separate books. By the time Belozerov graduated from the Literary Institute, he was already the author of several collections of poetry. The poet devoted all his work mainly to children. His books are very light and warm in spring ("Snowdrops", 1982, "April", 1983). He strove to discover poetry in nature itself, wanted to show the child the beauty of the world, teach him to see a "sighing" cloud in the sky, hear the "tender trill of a lark", be kind, attentive, compassionate, sympathetic. The ironic and mischievous tale is still very popular. "About Buku", "Forest plakunchik" about a fabulous man who helped to “cry out” his grief and relieve the soul of everyone who needed it; poems about the arrogant golden crucian carp. The book "Zhuravkin Holiday" (1980) was exhibited in 1981 at the International Book Fair in Moscow and was awarded a 2nd degree diploma. Later, this book (1990) and three more books by Belozerov were included in serial publications: "Forest Plakunchik" (1979), "Winter-Winter" (1989), "Karasik" (1981).

Timofey Maksimovich Belozerov died on February 15, 1986 in Omsk. He was buried at the Old-Eastern cemetery. He lived for 56 years and published 69 books with a total circulation of 16 million copies. His heartfelt, joyful, melodic poems, wise tales, funny counting rhymes, riddles, tongue twisters, and today, already in this century, do not grow old and are not forgotten.


Timofey Maksimovich Belozerov(December 23, Kamyshi village, now Kurgan region - February 15, Omsk) - Soviet poet. Honored Worker of Culture of the RSFSR ().

Biography

Timofei Maksimovich Belozerov was born on December 23, 1929 into a peasant family in the village of Kamyshi, Kamyshevsky-1 village council of the Utyatsky district of the Kurgan district of the Ural region (now the Kamyshinsky village council of the Kurtamysh district of the Kurgan region).

At the age of 5, he lost his mother. During the years of collectivization, the family was subjected to repression. The father was arrested and subsequently rehabilitated. After his release, the father with his youngest son Timofey moved first to Ust-Kamenogorsk and then to Leninogorsk. In with. Staro-Karasuk of the Omsk Region Belozerov graduated from a 7-year school. He worked as a carpenter, a railroad cleaning worker, and a logger in Kalachinsk.

Creation

Four books by Belozerov were included in serial publications: "Forest Plakunchik" (1979), "Winter-Winter" (1989), "Karasik" (1981), "Zhuravkin Holiday" (1990).

Memory

Bibliography

  • On our river. Omsk book publishing house, 1957, 100,000 copies. (artist K.P.Belov)
  • Spring. Omsk book publishing house, 1958, 200,000 thousand copies.
  • Forest violinist. Omsk book publishing house, 1960, 100,000 thousand copies.
  • Horns over the river. Novosibirsk Book Publishing House, 1961, 100,000 copies.
  • Choose the taste! Sverdlovsk Book Publishing House, 1962, 50,000 copies.
  • Ogorodny Grow up. Omsk book publishing house, 1962, 110,000 copies.
  • Forest swing. Sverdlovsk Book Publishing House, 1963, 100,000 copies.
  • To my friends. Omsk book publishing house, 1963, 110,000 copies.
  • Ogorodny Grow up. West Siberian Book Publishing House, 1964, 110,000 copies.
  • Trample. Sverdlovsk Book Publishing House, 1964, 100,000 copies.
  • The gate swung open. Sverdlovsk Book Publishing House, 1965, 100,000 copies.
  • Fun, rhymes, riddles, tongue twisters, fables. West Siberian Book Publishing House, 1965, 50,000 copies.
  • Cheerful watermelon. West Siberian Book Publishing House, 1966, 100,000 copies.
  • Taiga traffic light. Moscow publishing house "Children's Literature", 1968, 300,000 copies.
  • Horns over the river. Alma-Ata publishing house "Zhazusy", 1968, 10,000 copies.
  • Nuts. Altai book publishing house, 1968, 150,000 copies.
  • Blue hour. Moscow publishing house "Soviet Russia", 1969, 150,000 copies.
  • Blue hour. Kemerovo book publishing house, 1969, 100,000 copies.
  • Gulenki. Folk lullabies. Central Ural Book Publishing House, 1969, 150,000 copies.
  • Dance on the river. Novosibirsk, West Siberian Book Publishing House, 1969, 100,000 copies.
  • Dance on the river. Moscow, publishing house "Malysh", 1969, 100,000 copies.
  • Nameless river. West Siberian Book Publishing House, 1970, 200,000 copies.
  • Forest Plakunchik. Moscow, publishing house "Children's Literature", 1970, 300,000 copies. (artist V.G.Suteev)
  • Among the green and blue. Perm book publishing house, 1970, 200,000 copies.
  • Pantry of the wind. Moscow, publishing house "Children's Literature", 1970, 100,000 copies. (foreword by E. A. Blaginina)
  • Forest violinist. Moscow, publishing house "Children's Literature", 1971, 100,000 copies.
  • Miracles (riddles, rhymes, tongue twisters). Moscow, publishing house "Malysh", 1971, 150,000 copies.
  • Colored voices. Novosibirsk, West Siberian Book Publishing House, 1972, 77,000 copies.
  • Magic road. Moscow, publishing house "Malysh", 1972, 150,000 copies.
  • Mosquito bun. Novosibirsk, West Siberian Book Publishing House, 1973, 150,000 copies.
  • Forest Plakunchik. Moscow, publishing house "Children's Literature", 1974, 300,000 copies.
  • Winter is winter. Moscow, publishing house "Children's Literature", 1974, 100,000 copies. (foreword by E. A. Blaginina)
  • Ogorodny Grow up. Moscow, publishing house "Children's Literature", 1976, 300,000 copies.
  • Magic road. Moscow, publishing house "Children's Literature", 1976, 150,000 copies.
  • Forest poems. Moscow, publishing house "Malysh", 1976, 1,500,000 copies.
  • Currant bush. Moscow, publishing house "Children's Literature", 1977, 100,000 copies.
  • Lark. Novosibirsk, West Siberian book publishing house, 1978, 150,000 copies.
  • Forest Plakunchik. Moscow, publishing house "Children's Literature", 1979, 2,100,000 copies. (artist V.G.Suteev)
  • Horses are galloping (poems, riddles). Moscow, publishing house "Malysh", 1979, 200,000 copies.
  • Zhuravkin holiday. Moscow, publishing house "Children's Literature", 1980, 50,000 copies. (engraver artist N. Kalita)
  • Karasik. Moscow, publishing house "Children's Literature", 1981, 2,000,000 copies. (foreword by I.P. Tokmakova)
  • Fairy tales. Novosibirsk, West Siberian Book Publishing House, 1980, 200,000 copies.
  • Where the grass grows thick. Moscow, publishing house "Children's Literature", 1981, 150,000 copies.
  • Buka. Sverdlovsk, Central Ural Book Publishing House, 1981, 350,000 copies.
  • Snowdrops. Omsk book publishing house, 1982, 100,000 copies.
  • Sweet cranberries. Omsk book publishing house, 1983, 100,000 copies.
  • April. Moscow, publishing house "Children's Literature", 1983, 100,000 copies.
  • Wonderful song. Moscow, publishing house "Malysh", 1984, 100,000 copies.
  • Loaf. Omsk Book Publishing House, 1984, 250,000 copies.
  • Eternal flame. Moscow, publishing house "Malysh", 1985, 300,000 copies.
  • Forest plucker. Moscow, publishing house "Children's Literature", 1986, 2,000,000 copies. (artist V.G.Suteev)
  • Swan. Omsk book publishing house, 1986, 50,000 copies.
  • Enchanted grove. Moscow, publishing house "Malysh", 1986, 150,000 copies.

T. Belozerov's poems were published in the children's magazines Murzilka, Kolobok, Pioneer, Vesyolye Kartinki, Koster, Misha, Sibiryachok and in the adult magazines Siberian Lights, Ural, Neva "," Siberian land, the Far East. "

Awards and recognition

  • 1970 - Jubilee Medal “For Valiant Labor. In commemoration of the 100th anniversary of the birth of Vladimir Ilyich Lenin "- For outstanding services in the development of poetry for children
  • 1971 - Medal "For Labor Valor"
  • 1972 - Laureate of the Omsk Komsomol Prize for the book "Colored Voices"
  • 1976 - the title "Honored Worker of Culture of the RSFSR"
  • 1981 - Diploma of the 2nd degree of the International Book Fair for the book "Zhuravkin Holiday"

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Excerpt characterizing Belozerov, Timofey Maksimovich

In the eyes of the world, Pierre was a big gentleman, a somewhat blind and ridiculous husband of a famous wife, an intelligent eccentric, who does nothing, but does not harm anyone, a nice and kind fellow. During all this time, a complex and difficult work of internal development was going on in Pierre's soul, which revealed a lot to him and led him to many spiritual doubts and joys.

He continued his diary, and this is what he wrote in it during this time:
“November 24 ro.
“I got up at eight o'clock, read the Holy Scriptures, then went to office (Pierre, on the advice of a benefactor, entered the service of one of the committees), returned to dinner, dined alone (the countess has many guests, unpleasant to me), ate and drank in moderation and after dinner he copied songs for the brothers. In the evening I went down to the Countess and told a funny story about B., and only then I remembered that this should not have been done when everyone was already laughing out loud.
“I go to bed with a happy and calm spirit. Great Lord, help me to walk in Thy paths, 1) to conquer part of anger - by quietness, slowness, 2) lust - by abstinence and disgust, 3) to move away from vanity, but not to exclude myself from a) state affairs of service, b) from family concerns , c) from friendly relations and d) economic pursuits. "
“November 27th.
“I got up late and woke up for a long time lying on the bed, indulging in laziness. Oh my God! help me and strengthen me, that I may walk in Your ways. I read Holy Scripture, but without proper feeling. Brother Urusov came and talked about the vanity of the world. He talked about the new designs of the sovereign. I began to condemn, but I remembered my rules and the words of our benefactor that a true Mason should be a zealous worker in the state when his participation is required, and a calm contemplator of what he was not called to. My tongue is my enemy. Brothers G.V. and O. visited me, there was a preparatory conversation for the adoption of a new brother. They give me the responsibility of a rhetorician. I feel weak and unworthy. Then they talked about the explanation of the seven pillars and steps of the temple. 7 sciences, 7 virtues, 7 vices, 7 gifts of the Holy Spirit. Brother O. was very eloquent. In the evening, the acceptance took place. The new arrangement of the premises greatly contributed to the splendor of the spectacle. Boris Drubetskoy was accepted. I proposed it, and I was the rhetorician. A strange feeling agitated me throughout my stay with him in the dark temple. I found in myself a feeling of hatred towards him, which I vainly strive to overcome. And therefore I would like to truly save him from evil and lead him on the path of truth, but bad thoughts about him did not leave me. It seemed to me that his goal of joining the brotherhood consisted only in the desire to get closer to people, to be in favor with those in our box. Apart from the reasons that he several times asked if N. and S. were in our box (to which I could not answer him), except that, according to my observations, he is not able to feel respect for our holy Order and is too busy and I was satisfied with the external person, so that I could desire spiritual improvement, I had no reason to doubt him; but he seemed insincere to me, and all the time when I stood with him face to face in the dark temple, it seemed to me that he was smiling contemptuously at my words, and I really wanted to prick his bare chest with the sword that I held attached to her ... I could not be eloquent and could not sincerely communicate my doubts to the brothers and the great master. Great Architect of nature, help me find the true ways that lead out of the labyrinth of lies. "
After that, three pages were skipped in the diary, and then the following was written:
“I had an instructive and long conversation in private with my brother V., who advised me to stick to brother A. Much, though unworthy, was revealed to me. Adonai is the name of the one who created the world. Elohim is the name of the ruler of all. The third name, the spoken name, which has the meaning of All. Conversations with Brother V. reinforce, refresh, and confirm me on the path of virtue. With him there is no room for doubt. The difference between the poor teaching of the social sciences and our holy teaching that embraces everything is clear to me. Human sciences subdivide everything - in order to understand, they kill everything - in order to consider. In the holy science of the Order, everything is one, everything is cognized in its totality and life. Trinity - three principles of things - sulfur, mercury and salt. Sulfur of oily and fiery properties; in combination with salt, with its fieryness, it excites craving in it, by means of which it attracts mercury, grabs it, holds it and together produces separate bodies. Mercury is a liquid and volatile spiritual essence - Christ, the Holy Spirit, He. "
“3rd December.
“I woke up late, read the Holy Scriptures, but was insensible. Then he went out and walked around the hall. I wanted to reflect, but instead my imagination imagined one incident that happened four years ago. Mr. Dolokhov, after meeting me in Moscow after my duel, told me that he hoped that I now enjoy complete peace of mind, despite the absence of my wife. I didn't answer then. Now I recalled all the details of this meeting and in my heart spoke to him the most malicious words and caustic answers. He came to his senses and gave up this thought only when he saw himself in the heat of anger; but he has not repented of it enough. Then Boris Drubetskoy came and began to tell different adventures; But from his very arrival I became displeased with his visit and told him something contrary. He objected. I flushed and uttered a lot of unpleasant and even rude words to him. He fell silent and I caught myself only when it was already too late. My God, I don't know how to deal with him at all. This is the reason for my pride. I put myself above him and therefore become much worse than him, for he is condescending to my rudeness, and on the contrary, I harbor contempt for him. My God, grant me in his presence to see more my abomination and act in such a way that it would be useful to him too. After dinner, I fell asleep, and while I was falling asleep, I heard a distinctly voice that said in my left ear: “Your day”.
“I saw in a dream that I was walking in the dark, and suddenly surrounded by dogs, but I was walking without fear; suddenly one small one grabbed me by the left with her teeth and does not let go. I began to crush her with my hands. And as soon as I tore it off, another, even larger one, began to gnaw at me. I began to lift it and the more I lifted it, the larger and heavier it became. And suddenly brother A. walks and, taking me by the arm, took me with him and brought me to a building, to enter which one had to walk along a narrow board. I stepped on it and the board bent over and fell, and I began to climb the fence, which I could barely reach with my hands. After a lot of effort, I dragged my body so that my legs were hanging on one side and my torso on the other side. I looked around and saw that Brother A. was standing on the fence and pointing to a large alley and a garden, and in the garden there was a large and beautiful building. I woke up. Lord, the Great Architecton of nature! help me to tear away from myself the dogs - my passions and the last of them, combining the forces of all the previous ones, and help me to enter that temple of virtue, which I saw in a dream ”.
“December 7th.
“I had a dream that Iosif Alekseevich was sitting in my house, I am very happy, and I wish to treat him to him. As if I were incessantly chatting with strangers and suddenly remembered that he could not like this, and I wish to approach him and hug him. But I just approached, I see that his face has changed, he has become young, and he quietly says something to me from the teachings of the Order, so quietly that I cannot hear. Then, as if we all left the room, and something tricky happened here. We sat or lay on the floor. He told me something. It was as if I wanted to show him my sensitivity, and I, not listening to his speech, began to imagine the state of my inner man and the grace of God that overshadowed me. And tears appeared in my eyes, and I was glad that he noticed it. But he looked at me with annoyance and jumped up, interrupting his conversation. I looked up and asked if what had been said applied to me; but he did not answer, showed me an affectionate look, and then suddenly we found ourselves in my bedroom, where there is a double bed. He lay down on the edge of it, and I seemed to be burning with the desire to caress him and lie down right there. And he seems to be asking me: “Tell me the truth, what is your main addiction? Did you recognize him? I think you already recognized him. " I, embarrassed by this question, replied that laziness is my main addiction. He shook his head in disbelief. And I, even more embarrassed, answered him that, although I live with my wife, according to his advice, but not like my wife's husband. To this he objected that his wife should not be deprived of his affection, he made her feel that this was my duty. But I replied that I was ashamed of this, and suddenly everything disappeared. And I woke up, and found in my thoughts the text of Holy Scripture: The belly is the light of a man, and the light in darkness shines and darkness does not embrace it. Joseph Alekseevich's face was youthful and light. On this day I received a letter from a benefactor, in which he writes about the duties of marriage. "
“December 9th.
“I had a dream from which I woke up with a trembling heart. I saw that I was in Moscow, in my house, in a large sofa room, and Joseph Alekseevich was coming out of the drawing room. As if I immediately found out that the process of rebirth had already taken place with him, and rushed to meet him. I seem to kiss him, and his hands, and he says: “Did you notice that I have a different face?” I looked at him, continuing to hold him in my arms, and as if I see that his face is young, but the hair on his head no, and the features are completely different. And as if I were saying to him: “I would have recognized you if I had met you by chance,” and meanwhile I thought: “Did I tell the truth?” And suddenly I see that he is lying like a dead corpse; then little by little he came to his senses and entered a large study with me, holding a large book, written on the Alexandrian sheet. And it’s like I’m saying: “I wrote it”. And he answered me by tilting his head. I opened the book, and in this book it is beautifully drawn on all the pages. And I seem to know that these pictures represent the love affairs of the soul with her beloved. And on the pages, as if I see a beautiful image of a girl in transparent clothes and with a transparent body, flying up to the clouds. And as if I know that this girl is nothing but the image of the Song of Songs. And as if, looking at these drawings, I feel that I am doing wrong, and I cannot tear myself away from them. God help me! My God, if this abandonment of me by you is your action, then your will be done; but if I myself have done this, then teach me what to do. I will perish from my depravity, if You leave me altogether. "

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Belozerov Timofey Maksimovich, 1929-1986.

Timofey Maksimovich Belozerov was born on December 23, 1929 in the remote taiga village of Kamyshi into a large peasant family.
Timofey lost his mother early; his father died during the war. Was adopted by Maria Nikitichnaya Terentyeva. In 1941 he moved to Omsk, where he got a job. Shoemaker, was an apprentice of a carpenter and artist, cleared of snow from railway tracks. After the war, in 1952, he graduated from the Omsk River School.
It was during these years, yearning for the rivers, the Siberian taiga, that he began to write poems, which were first published in local newspapers and magazines, then began to be published in separate books. By the time Belozerov graduated from the Literary Institute, he was already the author of several collections of poetry. The poet devoted all his work mainly to children.
Throughout his life, 56 books were published, a rare phenomenon in literature. These books, so different, are united in one, the most important thing - love and devotion to the land where the poet was born and raised.
T. Belozerov's poems were published in the children's magazines "Murzilka", "Kolobok", "Pioneer", "Vesyolye Kartinki", "Koster" and adult magazines "Siberian Lights", "Ural", "Neva", "Siberian Land, Far East" ...

_______________________________________________________

Tongue Twisters

1.
To what
Fat Mastak
Unhook
Backpack!

2.
The vobla got into the Volga,
The Volga washed the salt.
The vobla in the Volga came to life,
Vobla Volga
Swam!

Wave

Full of autumnal sadness
Green wave.
A yellow bush flutters
She is on the shallows.
The bathers are gone
No fishermen in sight
Only a tired boat
Flashed - and it was!
And she dreams, green,
Childish voices
And the songs of the raftsmen
And into the sun
Sail…

Spring come true

Flow
Brooks
On the street,
Awakened by the warmth
Two girls on a perch
They carry scrap metal.
Two girl friends
Carried to the schoolyard
Rusty shackle bucket
And a boat motor.
They were pulled away by their fingers,
Shrugged ...
And now, like the wind, boys
Hurry
Towards!
Vyhrasty
And light
Are running
Race.
With a run
Between girls
Grisha jumped successfully,
And Misha made a face:
- Could it be your perch
To raise
A little bit
Higher?
It's too high on the edges
In the heart - just right!
Hold,
I am now!
Rr-az !!! -
Boys are carried away
The motor with the bucket is swinging ...
And the girls?
And the girls
Stand and
Smile!

In the evening

I'm lying on the lawn
And I look into the sky
In the herd of clouds
I find a horse.
In a black heap of clouds
In the angry wind
Together with a burka
I take a lightning checker.
And it's already scary
And I'm happy
Race into the red sunset
Dashing
Steed!

Winter morning

Fell into the trees at night
Finger-thick hoarfrost.
Has become a fairytale village
And so dear, dear!
Silence pours into the fence
Everything is silent, I am silent too;
You can only hear it in the well
Flops
Tub…

Forest fairy tale

I drowned in fragrant herbs ...
Hands outstretched in silence
Among the beetles, among the boogers
I'm lying on a twilight day.
Powdered with honey pollen,
Angry bees inveterate,
Through the fading peas
I lay looking at the white light ...
At my feet
Thorn bush
It rustles, shaking off the heat,
And the clouds of recent sadness
They float, playing, above me ...
Then I will go out into the clearing
I will shake off the bumblebee that has fallen asleep,
And if I become sad again -
Will be back
And in the herbs
Drown ...

Summer

Summer, summer, fabulous summer!
The head is spinning from miracles ...
Here in chain mail of a rainbow color
Islands emerge from the river!
In scales, in the shimmer of shells,
With an uncovered mane of willows,
From the courtyards of coastal villages
Silently, the fishermen are taken prisoner ...
On the sands covered with mud
To shallow waters as sharp as swords
Then the goose jamb will go down,
Then, gorlana, rooks will fall.
Summer, summer ...
With a song underdone
The hot grass is waiting for the rain.
Together with the sun, in the haze of dawn,
From the river
Come out
Islands!

Fables

1.
Yesterday I went on foot for firewood,
The grass was green under the snow.
I didn't bring a whole load of firewood from the forest
And rubbed his frostbitten nose in the heat!

2.
I saw a snowdrop in the autumn forest
Where the hare dragged the fox along the edge
And the wolf sneaked after the hunter ...
I heard - the hunter was chattering his teeth,
I heard him "Help!" shouted
And laughed loudly with fear!

Interview materials

"Belozerov T.M. Biography and creativity ".

Prepared by the teacher M.N. Kovalik

Target: To acquaint students with the main stages of the biography and work of the Omsk poet T.M. Belozerov.

Tasks: To instill an interest in the history, cultural traditions of the native land.

Contribute to fostering a sense of patriotism.

Develop aesthetic taste, interest in cultural heritage.

Equipment: Computer, multimedia projector, presentation.

The course of the lesson.

Conversation with students on questions about the creative heritage of Omsk poets in general and the life and work of T.M. Belozerov in particular.

Teacher's story, presentation demonstration.

Timofey Maksimovich Belozerov

Belozerov Timofey Maksimovich - children's poet.

Born into a large peasant family, at the age of 5 he lost his mother. During the years of collectivization, the family was subjected to repression. The father was arrested and subsequently rehabilitated. After his release, the father and his youngest son Timofey moved first to Ust-Kamenogorsk and Leninogorsk, then to the Omsk region. In the village of Staro-Karasuk, Omsk region. Belozerov graduated from a 7-year school. I really wanted to study, but there was no way to continue my education. To earn his livelihood, he was a carpenter, a railway cleaning worker, a logger for hire.

From 1948 to 1952 he studied at the Omsk River School, then worked as a foreman at shipyards in Barnaul, Omsk. The first publication of the poems was in the Altai magazine (1954).

In 1957 he published the first collection of works at the Omsk Book Publishing House. poems for children "On our river". The theme of Siberian nature, the labor associated with its development, became the main one in Belozerov's work, giving him the opportunity to be equally intelligible for both children and adults.

From 1957 to 1963 he studied at the correspondence department of the Literary Institute. Gorky, in 1962 became a member of the USSR JV. After graduating from the Literary Institute, he is engaged in literary creativity, combining it with wide social activities: from 1965 to 1967 he was a deputy of the Omsk City Council, from 1967 to 1970 - authorized by the Literary Fund of the USSR in the Omsk Region, for many years he was a member of the Bureau of the Omsk Writers' Organization.

Dec. 1980 participated in the 5th Congress of Writers of the RSFSR. I considered communication with children and creative youth to be the most important occupations for myself. As an editor for children's and literary programs at the Omsk television studio, as well as a literary consultant for the regional newspaper Omskaya Pravda, he conducted seminars with aspiring poets - children and adults, whom the latter remember with deep gratitude. Performances were constant in schools, pioneer camps, orphanages, and pioneer palaces. Belozerov shared his understanding of childhood, child psychology with future teachers - students of pedagogical colleges and pedagogical institutes.

Belozerov's career can be divided into two periods: the 2nd half of the 1950s - 1960s and 1970s and 80s. The 1960s were a period of intense creative searches for the poet: from apprenticeship and imitation (K. Chukovsky, S. Mikhalkov, A. Barto - in children's poetry) - to finding his own style in dialogue with the soil direction of Russian poetry close to him, where significant for B. names were I. Surikov, I. Nikitin, I. Bunin, S. Yesenin, and among his contemporaries - those whom critics attributed to the camp of the "quiet" (V. Sokolov, N. Rubtsov, etc.) , which appeared in the first collections of the poet ("Spring", 1958; "To my friends", 1963), was very quickly realized by Belozerov as alien to his moral and aesthetic position. For clever teaching, so necessary for childhood, other artists were found. ways of expression - used experience, folklore.

In the 1970s and 1980s, a laconic landscape sketch became the leading genre in Belozerov's work. Criticism notes Belozerov's gravitation "towards a watercolor sketch, miniature, sketch" (S. Povartsov), incorporating themes of Siberian nature, small homeland, childhood, harmonious life in society, provided with a patriarchal everyday life, peasant labor. The central publishing houses "Children's Literature", "Malysh", as well as various regional publishing houses of the country (Novosibirsk, Omsk, Sverdlovsk, Barnaul, Alma-Ata, Perm, etc.) publish the best poetry collection of the poet ("Pantry of the Wind", 1970; "Winter-Winter", 1974; "Magic Road", 1977; "Skylark", 1978; "Zhuravkin Holiday", 1980; "Swan", 1986, etc.), which were highly appreciated by critics and readers. In total, the poet published 54 books during his lifetime, collections of his poems, stories, fairy tales were regularly published in the magazines Ogonyok, Ural, Neva, Siberian Lights, Prostor, Siberian Land, Far East, Siberian lights ”,“ Pioneer ”,“ Bonfire ”,“ Murzilka ”,“ Funny Pictures ”. The book "Zhuravkin Holiday" was exhibited in 1981 at the International Book Fair in Moscow and was awarded a 2nd degree diploma. Belozerov's poems were included in children's reading books, serial publications. A number of Belozerov's poems were set to music by the Omsk composer G. Pantyukov.

Many famous children's poets and writers spoke highly of the work of Belozerov: E. Blaginina, Y. Korinets, S. Baruzdin, A. Barto, I. Tokmakova, Y. Akim, V. Berestov, etc. poet, which manifested itself in an organic combination of childish vision of the world, provided with living, childhood memory, with vigilance and observation, deep knowledge of the real world, which determines the originality of Belozerov's work, who occupied a niche between "adult" and children's poetry.

T. Belozerov is the author of over 60 children's books published in various publishing houses of the country (Moscow, Omsk, Novosibirsk, etc.). Their total circulation is about 16 million copies. The book "Zhuravkin Holiday" (1980) was exhibited in 1981 at the International Book Fair in Moscow and was awarded a 2nd degree diploma. Four of Belozerov's books were included in serial publications: "Forest Plakunchik" (1979), "Winter-Winter" (1989), "Karasik" (1981), "Zhuravkin Holiday" (1990). For outstanding services in the development of poetry for children, the poet was awarded the jubilee Lenin medal (1970), the medal "For Labor Valor" (1971). For the book "Colored Voices" (1972) he was awarded the title of laureate of the Omsk Komsomol Prize, in 1976 - the title "Honored Worker of Culture of the RSFSR." The poet died on February 15, 1986 in Omsk. He was buried at the Old-Eastern cemetery. September 4, 1987 at the house number 2 on the street. Valikhanov, where the poet lived and worked, a memorial plaque with his high relief by the sculptor F.D. Bugaenko was installed. One of the streets and the library of Omsk is named after Belozerov.

On the initiative of Omsk writers, first of all, Alexander Tokarev and Vladimir Novikov, in June 2005 the motor ship "Timofey Belozerov" appeared. The event is more than fair, because Timofey Maksimovich was a river operator by his first profession. A memorial stone to the remarkable Russian poet Timofey Maksimovich Belozerov was erected on Martynov Boulevard in October of the same year.

Students read T.Belozerov's poems.

Summarizing:

    What new have you learned for yourself?

    Has your attitude to your native Omsk region changed? Why?

    What else would you like to know about your native land?

LITERATURE:

Used materials of the book: Russian literature of the XX century. Prose writers, poets, playwrights. Biobibliographic Dictionary. Volume 1.p. 190-192.

Occupation:
Years of creativity:
Direction:

lyrics, poetry for children

Genre:
Language of works:
Debut:

"On our river"

Prizes:

Omsk Komsomol Prize

Awards: